Words form a lacy over print on already lace-like land water interface. The idea continues that you can see through lace, it interrupts your vision, creating another surface to focus on, and yet lets you see past the surface to the underlying points of interest.
Your text reinforces the "unseen" evidenced by many of your images. I like it a lot- it reveals the very deep nature of vision-cognition. It is one level of the essence of how we "define" what is "art", of what is artistic, in a sense. Applies to a Rodin sculpture, an watercolor painting, a Robert Motherwell or a Rothko. I think this is a rich avenue to explore - and I don't mean about eye-trickery (trompe d'oeuil). I mean connection/disconnection btwn eye & understanding...
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